The driving dance of Patrick Thaiday

FOR a dancer, Patrick Thaiday is what kids these days would call “really, really old” – he’s 41.

What’s more astonishing, this brilliant artist from the Bangarra Dance Theatre didn’t start his dance career until he was 29, at which age many classical ballet dancers are thinking about being pensioned off.
So what drives him? We’ll see when he appears here soon in Bangarra’s double bill “Belong”.

Bangara's Patrick Thaiday. Photo by Jeff Busby

Thaiday joined Bangarra in 2002 after training for three years with the National Aboriginal Islander Skills Development Association Dance College, so this is his 10th year with the company.

One part of this show, Elma Kris’ “About”, touches Thaiday personally. His  parents come from the same island in the Torres Strait as Kris. (“she’s my mother’s cousin’s sister”).

“Our dance is a celebration of our environment, of hunting and gathering from the sea – we are the Salt Water People,” he says and it’s exciting to be helping recreate the stories of his own people.

Thaiday may have trotted the globe with Bangarra, but the urban environment depicted in director Stephen Page’s new work “ID” is an uncomfortable fit for a boy who grew up in Mackay, Queensland. “I’m still finding my feet in Sydney,” he says. Another shock was learning some ballet skills, yet he now appreciates the discipline of that.

But unlike so many classical dancers, he has no intention of retiring. “I see aunties  and uncles in their 70s and 80s still singing and dancing… I think I’ll keep dancing until I die,” Thaiday says.

If Thaiday is entering his 10th year, the inspirational artistic director Stephen Page is celebrating 20 years at the helm of Bangarra. Page is particularly chuffed  that he’s got Elma Kris choreographing for the second time.

“We thought it was time we had a Torres Strait Islander perspective, so we asked her to make a cultural response.”

“About,” he says,  is “more abstract, yet simple,” based on the four winds  in the Strait.

As for the differences between Torres Strait and mainland dance, Page agrees that it is celebratory, “it’s got a Pacific Ocean feel about it… a good deal relates to the coastal accessories for the body”.

Mainland dance comes  from “very different terrain, the colour comes from the earth,” yet “they’re both the same, in the sense that there is repetition and ritual.”

Page comes from an urban background, but he knows that “Bangarra has, in a sense, been entrusted by Aboriginal communities to embrace their stories.”

In “ID,” he looks at identity, challenging stereotypes of indigenous people while  rejecting the victim stereotype he believes is now breaking down.

“Will the real Aborigine please stand up?” is a question often asked by white Australians. Increasingly, more indigenous Australians are standing up and Stephen Page will be there to record it.

“Belong”, Canberra Theatre, September 2-3. Bookings to 6275 2700.

, , , ,

No comments yet.

Leave a Reply

Leave your opinion here. Please be nice. Your Email address will be kept private.
%d bloggers like this: