“WE are what we are,” proclaim Les Cagelles, six dancers of indeterminate sex, who strut, mince, high-kick and tap energetically in grotesque make-up and a succession of tacky costumes at La Cage Aux Folles, a drag nightclub in St. Tropez, run by Georges (Jarrad West).

The club’s star is drag queen, Zaza, the alter ego of George’s effeminate partner, Albin (Ben O’Reilly).

Georges and Albin have lived happily above the nightclub for years, but their happiness is threatened when Georges’ son, Jean Michel (Alexander Clubb) suddenly announces that he is going to marry the daughter of the famously anti-gay politician, Edouard Dindon (Len Power).

How they deal with this predicament is the meat of Jerry Herman’s delightfully hilarious and tuneful musical currently enjoying its first Canberra showing in this exuberant production directed with panache by Garrick Smith.

The linchpin of the show is Ben O’Reilly’s brilliant performance as Albin/Zaza. O’Reilly skillfully balances the silliness and pathos of Albin, with the confident glamour of Zaza in a carefully modulated performance of considerable depth. Jarrad West matches him with a strong and charming Georges. Both sing well and their scenes together are beautifully managed. Alexander Clubb is impressive as their headstrong son, Jean Michel, and Fraser Findlay makes the most of his scene-stealing role as the butler/maid, Jacob.

Rose Shorney’s large, full-throated orchestra brilliantly captures the authentic Broadway sound to do full justice to Herman’s wonderful score. Steve and Susie Walsh’s setting with its spectacular use of LED lighting, Suzan Cooper’s often dazzling costumes, Jacquelyn Richards’ spot-on choreography, and Phil Goodwin and Peter Barton’s superb lighting and sound design all add pizazz and razzle dazzle to this hugely enjoyable production.