IN 2014 some of the Griffyn Ensemble collaborations didn’t quite work but what a start to 2015!! Whitlam in China was an absolute delight – a combining of musical pollen which, like the lotus blossom mentioned during the concert, left a fragrant scent hovering throughout a packed NLA Theatre.

The knockout highlight was the virtuosic playing by Ms Zhang Hongyan, world renowned pipa player.

Her dynamic control and contrast, dexterity and outstanding technical wizardry, coupled with amazing clarity of sound, was just mesmerising as she moved emotions from calming and peaceful to stark and wild. I’ve never before seen a pipa being played but this seeming mixture of guitar, harp and keyboard was the provider of musical joy rarely realised. Sincere thanks to the Embassy of the Peoples Republic of China for affording the privilege of hearing this outstanding musician.

Thematically the concert traced the visit of the then Federal Opposition leader, Gough Whitlam, to China in the early 1970’s where he entered negotiations with Chinese Premier and Foreign Minister Zhou En Lai. Like many of the baby boomers in the audience I was somewhat embarrassed that this significant period of Australian history has escaped from my memory. It was fascinating however, aided by detailed narration from Michael Sollis, to be reminded of the importance of those early cultural liaisons. A three movement piece, In our Image, in our Likeness, for violin (Chris Stone) and tenor and soprano recorder (Kiri Sollis) re-enacted conversations between the two leaders with historical reminders that these discussions ultimately lead to the governments of both Australia and the USA establishing diplomatic ties with China.

After interval the “It’s Time” television election campaign was revived in a cleverly arranged memory jogger then a musical depiction, synchronised with recorded voice over, of speeches associated with the dismissal of the Whitlam government in 1975. The concert finale, The Song of the Pipa Player, proved particularly pleasing with the delicate harp of Laura Tanata, pulsating double bass of Holly Downes and crystal clear voice of Susan Ellis combining with the pipa in a wonderful blend of East and West.

I’d have preferred additional printed program content detailing the performed works but overall this concert was quite spell binding, wonderfully performed and sincerely appreciated for its innovation and historical importance. The Griffyn Ensemble promise similar adventures as they musically commemorate a rugby match of 100 years ago in their April concert. Buy a ticket and be there!!

[Photo: A pipa, courtesy wikipedia]