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Canberra Today 4°/10° | Saturday, April 20, 2024 | Digital Edition | Crossword & Sudoku

Review / Jesus Christ Super-duper-star

musical theatre
“Jesus Christ Superstar”
Music by: Andrew Lloyd Webber.
Lyrics by: Tim Rice
Director, Stephen Pike; musical director Ian McLean; choreographer Jordan Kelly
At AIS Arena until June 7.
Reviewed by Bill Stephens

Jenna Roberts in the role of Mary Magdalene… “I am eternally fascinated by the story of Magdalene.” Photo by Andrew Campbell
Jenna Roberts in the role of Mary Magdalene… Photo by Andrew Campbell
The AIS Arena provided a surprisingly cosy environment for this spectacular production of Andrew Lloyd Webber’s perennially popular musical.

Director Stephen Pike has harnessed impressive resources to produce a production which is visually arresting, aurally satisfying and dramatically cohesive.

Heading a large cast, Luke Kennedy and Michael Falzon, as Jesus and Judas, are both exceptional singers capable of extraordinary vocalisations, as Kennedy demonstrates in his stunning performance of “Gethsemane”, and Falzon, in his tortured reprise of “I Don’t Know How to Love Him”. Both also possess dramatic gravitas, so that the complexities of the relationship between Jesus and Judas are also satisfyingly depicted.

jc2

As the catalyst in this relationship, Jenna Roberts as Mary is a sympathetic and compelling presence.

The rest of the large cast provide strong, committed support with stand-out performances from Max Gambale, whose singing of “Pilate’s Dream” provides one of many highlights during the evening; Gordon Nicholson, campy, sinister and vocally assured confidently nailing “King Herod’s Song” and Zack Drury, whose deep, sonorous bass tones are used to thrilling effect as the High Priest Caiaphas.

Choreographer, Jordan Kelly, has taken full advantage of the huge multi-level setting for his spectacular ensemble routines and, apart from a couple of aberrations,  Anna Seniors earthy abstract costumes, are imaginative contributions to the spectacle created by Phil Goodwin’s  sensational lighting design.

Chris Neal’s sound design ensures that not only are the all-important lyrics clearly audible, but also details of the superb musical arrangements from Ian McLean’s impressive orchestra are able to be appreciated.

This extraordinarily assured and entertaining production is another persuasive demonstration of the depth and quality of Canberra’s musical theatre talent. Even though it’s a short season don’t miss it.

 

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