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Canberra Today 7°/12° | Tuesday, April 23, 2024 | Digital Edition | Crossword & Sudoku

Review / Soprano triumphs over songs of war

THE “Flowers of War” is a three-year project to uncover, perform, discuss and celebrate the music and art that talented men used to cope with the horror of World War I and to mark their experiences.

Soprano Louise Page.
Soprano Louise Page… performed in silhouette.
‘The Man Who Painted Blue Horses: Verdun and the WW1 sketch book of Franz Marc’”was a concert with projections based on the World War I sketches of the great German artist, Franz Marc, who founded the Blue Rider School and died at Verdun in 1916. Music by Maurice Ravel, Richard Strauss and forgotten and lost composers of World War I, some who died at Verdun, was featured.

The concert was a particular triumph for Canberra soprano, Louise Page, who sang a large number of songs with great feeling and technical assurance, culminating in a thrilling “Transfiguration” from “Tod und Verklärung” by Richard Strauss in an arrangement by Christopher Latham.

Louise Page was accompanied on piano in the first half of the program by pianist Tamara-Anna Cislowska. The Sculthorpe Quartet then joined singer and pianist for the remainder of the program. The playing and singing of these major artists was simply sublime and a joy to listen to.

The art of Franz Marc, which was projected during the concert, was fascinating and colourful and the choice of additional art by Marc’s Blue Rider colleagues and friends, Kandinsky, Delaunay and Klee, was inspired.

The program included English translations of the songs performed and it would have been helpful to be able to follow these while Page was singing. Unfortunately, the auditorium lights were switched off due, no doubt, to the requirements of the art projections. Page performed in silhouette with the projections behind her and it would have been preferable to be able to see her face during the performance.

This memorable concert will be followed by several concerts over the next three years as part of the “Flowers Of War” project.

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Ian Meikle, editor

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