By Clinton White

WHEN interest in opera is enjoying a global resurgence, it is surprising the National Aria, this year called the Centenary Aria, attracted only a small audience to Albert Hall to enjoy some fine singing by our rising stars.

Nevertheless, we were treated to some well-known arias from operas such as “Tosca” and “La Bohème”. There even was a lovely aria, perhaps more like a folk song demanding a good deal of vocal dynamics, range and control, from a 1955 American opera, “Susannah” by Carlisle Floyd.

Sydney-based singing teacher, Dr Jean Callaghan, made the adjudications and was brief but sincere in her praise of all competitors. She wasted no time to announce that the in-demand Canberra soprano, Sonia Anfiloff, had won first prize and $5000, with Brisbane soprano, Monique Latemore, taking home $2000.

Next year the Australian National Eisteddfod Society celebrates 60 years in the business.

Canberra should celebrate the part it has played in launching many a fine international performing arts career. But it’s also a good opportunity for society president, Paul Barsdell and his committee to refresh and renew, and perhaps modernise its approach and policies in relation to these very important competitions.