News location:

Canberra Today 3°/5° | Friday, August 19, 2022 | Digital Edition | Crossword & Sudoku

Review: Shaw’s glorious French triumph

AN image of an elderly, pearl-draped woman, taken by photographer Brassai in the Bar de la Lune in Montmartre in 1932, was the catalyst for this extraordinary production.

Chrissie Shaw as Bijou_ Photo by Lyndel Arnett 3 (1)
Chrissie Shaw as Bijou. Photo by Lyndel Arnett
The woman was known as Bijou and, while little is known about her, her image inspired Canberra actor/writer, Chrissie Shaw to create and perform this exquisitely evocative cabaret about a wonderfully irascible, mischievous, beguiling story-teller.

Shaw draws on all her theatrical skills, honed over a career of remarkable performances, to create a totally believable, fascinating character, who sings, dances, teases, flirts, and ultimately breaks your heart, as she rummages through her recollections, rewinding her life as a survivor of the “Great War”.

Her stories are funny, horrifying, pathetic and sometimes profoundly sad, but all have the ring of truth… or are they just the ramblings of a manipulative, clever, old woman desperate to hold the attention of the audience, who, unwittingly, have become another character in her stories?

Susan Pilbeam’s unobtrusive direction carefully guides Shaw through Imogen Keen’s warm, glowing Bar de la Rue, decorated with flickering candlelight and rich fabrics. Curtains become bridal veils, and table numbers morph into sensuous props as Bijou moves among her audience, dancing a la Mata Hari, or singing with a voice that has known life, the cleverly chosen collection of songs which advance and embellish her stories.

Liz Lea has devised dances that fit the character as beautifully as Victoria Worley’s luxurious collection of faded finery and Gillian Schwab bathes the whole proceedings in ever-changing, dramatic, moody lighting.

Alan Hicks is superb as the long-suffering bar-pianist, providing a strong supportive presence, sensitive piano accompaniments and even gentle vocal harmonies. All are essential contributions to a riveting tour de force performance by Chrissie Shaw in this gloriously entertaining, beautifully realised production.

 

 

 

 

Who can be trusted?

In a world of spin and confusion, there’s never been a more important time to support independent journalism in Canberra.

If you trust our work online and want to enforce the power of independent voices, I invite you to make a small contribution.

Every dollar of support is invested back into our journalism to help keep citynews.com.au strong and free.

Become a supporter

Thank you,

Ian Meikle, editor

Share this

Leave a Reply

Related Posts

Film

Movie review / ‘Good Luck to You, Leo Grande’

"It’s certainly not the first mainstream movie to acknowledge that women have orgasms. But it’s very likely the first to discuss them with this degree of honesty and truth". DOUGAL MACDONALD reviews "Good Luck to You, Leo Grande".

Follow us on Instagram @canberracitynews