Music / “Keys of the Kingdom”, Phillipa Candy. At Wesley Music Centre, June 18. Reviewed by IAN McLEAN.

THE considerable talents of two gifted Canberra artists were displayed in this delightful concert that featured pianist Phillipa Candy performing the premiere of a new work by composer Michael Dooley.

Even in its naming, “Keys of the Kingdom” is clever and inventive with the text of the seven movements taken from the Bible and the keys referring to both the keys of the solo piano for which it is written and the musical pitch keys – major keys depicting the hope referred to in the Biblical passages while minor key writing portrays the apprehension of mortality and the fragility of life.

Composition wise the 40-minute work was lyrical, contrasting in mood and most listenable and enjoyable.

The opening “Sonata” was bright and expansive with rapid and relentless rhythm that came to sudden stops, perhaps to allow for reflective contemplation.   Musical moods moved through a quiet pastoral setting to a slow third movement ,which rose in volume and intensity before suddenly transforming to calm peace.

A “prelude” then had raindrops seemingly descending in a torrent before tranquillity returned. The sixth movement “intermezzo” featured low-pitched chords as the piano imitated a trumpet and a star falling from heaven, then a triumphant finale interpreting a quote from Matthew 16:19 – “I will give you the keys to the kingdom of heaven”.

While not wishing to draw comparisons to other works, but simply to paint a picture for those not fortunate enough to be present, the expansive piece was reminiscent of the pastoral beauty captured by Bruce Rowland in the many moods he created in “The Man from Snowy River”.

Playing by Phillipa Candy was simply stunning. From the lightest, most delicate touch to the thunderous intensity of “an angel coming down from heaven” every moment of imagery intended by the composer was captured and interpreted magnificently. The score was difficult in its technical demands but the power, followed by the grace, of the playing was excellent, allowing an immediate appreciation of new music.

“Keys of the Kingdom” is a worthy addition to the ever expanding and impressive catalogue of work from this talented Canberra composer that encompasses not only sacred music but also varied classical works, jazz and compositions for the screen. Michael Dooley is a past “CityNews” Canberra Artist of the Year – this new work admirably demonstrates why!