The Queanbeyan Players have confirmed three classic shows for 2021, all to be staged at The Q, writes arts editor HELEN MUSA.
The National Opera has confirmed new dates and a new director for its production of Puccini’s popular opera, writes arts editor HELEN MUSA.
The annual CAT Awards for theatre went ahead tonight virtually, minus the usual showbiz glitz, sparkle and feathers, writes arts editor HELEN MUSA.
The Beanies are one of Australia’s best-known bands for kids, and two thirds of them were born-and bred in Canberra.
The spectacular concert-drama “Rolling Thunder Vietnam”, previously seen in 2014 and 2016, is returning to Canberra in a new iteration, but with a few old faces, writes arts editor HELEN MUSA.
People don’t have to be a Monty Python fan to enjoy this hopelessly silly musical rip-off of “Monty Python and the Holy Grail”, writes theatre reviewer BILL STEPHENS.
MAMMA Mia!—Canberrans and Queanbeyanites don’t seem to be able to get enough of the cult musical of the same name, and Free Rain Theatre is putting that notion to the test with a new production coming up at The Q.
For people who can’t get to Sydney for the Mardi Gras, this production of “H.M.S. Pinafore” at The Q in Queanbeyan might be the next best thing, writes theatre reviewer BILL STEPHENS.
Arts editor HELEN MUSA chats to “Spamalot” director Richard Carroll about the "deeply silly" ‘Python’ musical spin-off.
OPERA singer Tobias Cole has been taking a dive into the world of showbiz in Kate Gaul’s high-camp production of “HMS Pinafore”.
“I don’t know about the kids, but this reviewer loved it!”. BILL STEPHENS reviews “The Little Mermaid”.
Canberra soprano Emily Pogson, last pictured in "CityNews" as Nancy in Queanbeyan Players’ “Oliver!” gets the plum role of Ariel, writes arts editor HELEN MUSA
Tuggeranong Arts Centre is staging a zany, totally original kids musical about water management and environmental sustainability.
Actor Simon Burke gets to play what he describes as “a conga line of monsters”: Scomo, Mark Latham Alan Jones Julian Assange and Boris Johnson in the new The Wharf Revue, subtitled “Unr-Dact-D”, reports arts editor HELEN MUSA.
"When the audience rose for a standing ovation at opening night of 'Billy Elliot the Musical', all eyes were on ginger-haired Jamie Rogers, a 12-year-old boy who originally studied dance in Pialligo," writes arts editor HELEN MUSA.
Opera Australia’s lavish production of "West Side Story" honours the original production with its 1950s period mostly intact and the re-creation of the original Jerome Robbins choreography. It's a "must see", says reviewer LEN POWER.
Reviewer BILL STEPHENS hits the "must-see" button for Daryl Somers and the local cast of this energetic, new production of "The Producers".
Hey, hey it's Daryl Somers live on stage in Canberra for some musical fun.
WITH more than 300 performances of “West Side Story” under his belt and the number rising fast, maestro, music director, and composer Donald Chan...
"It would be hard to find a more ideal Oliver than Willum Hollier-Smith. Looking younger than his 11 years, with his cherubic face and silvery voice, Willum melted hearts and practically stopped the show with his lovely rendition of 'Where is Love'," writes reviewer BILL STEPHENS.