Reviewer LEN POWER feels the power of QL2's powerful new dance program "Power"!
The Australian Dance Party's work “Seamless” will play alongside the launch of the “Women in Vogue: Celebrating Sixty Years in Australia” exhibition.
“'In the Vault' is a brilliantly conceived and executed dance work, certainly the best yet from Australian Dance Party and confirms Alison Plevey’s status as an important and original creative voice in Australian contemporary dance." BILL STEPHENS isn't mincing his words with this review.
Choreographer Sue Healey tells arts editor HELEN MUSA she is concerned about the constant disappearance of dance as an art form.
“If you’ve ever been in love, you will understand this show,” writer and performer Jacob Boehme says of “Blood on the Dance Floor,” coming soon to Tuggeranong Arts Centre.
The young cast rose to the challenge admirably, maintaining focus and concentration throughout, and the audience was left in no doubt that they had experienced a work of striking originality, writes BILL STEPHENS.
Opening tonight at The Playhouse, Quantum Leap will present their major production for 2019, "Filling the Space", writes SAMARA PURNELL.
Ausdance National, Australia's peak body for dance, is winding up.
Ruth Osborne’s Quantum Leap Ensemble is exploring the dynamic relationship of body and architecture in its big annual show, “Filling the Space”, writes arts editor Helen Musa.
An indigenous dance company celebrates 30 years of existence and a heritage that spans thousands of years. Arts editor HELEN MUSA talks to its artistic director.
"Natalie Weir’s lyrical, acrobatic choreography makes huge demands on her dancers, though you would hardly guess that from the apparent ease with which each of the dancers execute it," writes dance reviewer BILL STEPHENS.
In free Saturday classes, “IGNITE” will propose different ways to move, interact and explore dancing by experimenting with diverse stimuli and ideas, writes arts editor HELEN MUSA.
“Jump First, Ask Later” tells the story of six young "Parkour" performers from Fairfield, Western Sydney, where they met, train and perform their high-risk, hybrid styles of movement and dance. says dance reviewer SAMARA PURNELL.
“Dance on the edge”... opens up spaces to independent professional dance artists to give them a chance to explore ideas, writes HELEN MUSA.
TODAY, April 29, is International Dance Day and hoofers around the world are celebrating the terpsichorean arts.
Dance luminary and 2015 “CityNews” Artist of the Year Elizabeth Cameron Dalman held a private celebration at her property on the edge of Lake George to mark 30 years of Mirramu Creative Arts Centre yesterday, reports arts editor HELEN MUSA.
Its Sydney Dance Company’s 50th anniversary this year and when the elite troupe comes to Canberra it’ll be in party mood, says arts editor HELEN MUSA.
SAMARA PURNELL enjoys some emotive and exhausting routines from young dancers.
AFTER a lively start to Liz Lea’s second dance summit, “BOLD II”, the weekend offers more to dance lovers from the broader community. The high...
DANCER Liz Lea has been grappling with one of the unfathomable questions in the arts – how to repeat the success of her first...