"There are many layers to this play for anyone who loves language... another recurrent theme is how you become a different character when you're speaking your own mother tongue." Reviewer HELEN MUSA has a kind word for the play English.
With four characters, a piano, and an unassuming story about normal people going about their lives in New York, the musical Ordinary Days has got to be by Stephen Sondheim, right? Wrong, writes arts editor HELEN MUSA.
One man in his time plays many parts, The Bard once said, but one role Bell Shakespeare director Peter Evans won’t play is that of an actor, reports arts editor HELEN MUSA.
"In an all-Beethoven concert by Selby and Friends, they performed three works that illustrated the development of his musical style," writes reviewer ROB KENNEDY.
"Far from being a series of comedy routines, it is essentially a reflection on what it is to be a musician, full of very serious, quiet moments." HELEN MUSA reviews a performance by American cellist and self-styled clown Karen Hall.
The National Film and Sound Archive’s show Ghost Trees is a moving (yes, it moves) exhibit that has to be seen and experienced in the comfort of a beanbag, reports HELEN MUSA.
Thirty-seven -year-old Czech pianist Lukáš Vondráček will be at the Snow Concert Hall on Monday as the second of four artists performing in its Virtuoso Piano Master Series.