GRAHAM McDONALD reviews Pluckers and Scratchers, a concert performance by Apeiron Baroque at Wesley Uniting Church.
Review
ALANNA MACLEAN reviews the Oriana Chorale's performance of music of loss, grief and healing.
The Phoenix Collective Quartet has made a fine start to the year with its American Dreams concert, says reviewer GRAHAM McDONALD.
"This production succeeded in giving a gripping theatrical experience. Rather than feeling crushed, the show concludes with uplifting sense of its possibilities." ARNE SJOSTEDT reviews The Curious Incident of the Dog in the Night-Time.
"The ensemble developed a strong rocking, ocean rhythm, building at the end of each movement towards a dramatic moment as the musicians together held still, frozen in time," writes NICK HORN in his first review for CityNews.
"The show is a fun journey back in time to a fantasy adventure." SIMONE PENKETHMAN reviews Shirley Valentine at Canberra Theatre.
"From the small gestural reactions to commands and the sudden changes in special relations, the cast provides an excellent example of true ensemble playing." JOE WOODWARD reviews The House of Bernarda Alba.
CON BOEKEL reviews an unusual PhotoAccess exhibition.
SARAH BYRNE reviews Exquisite Harmonies, a Marais Project performance by Jennifer Eriksson and Anthony Abouhamad.
LEN POWER reviews the debut performance of the Penta Harp Ensemble.
LEN POWER reviews the Australian Haydn Ensemble's performance of Haydn’s Sunrise.
Fantasy is now the best-selling fiction genre in Australia, says book reviewer COLIN STEELE, who illustrates why in his latest column.
