"A colourful performance of great clarity." LEN POWER reviews a concert by Chamber Philharmonia Cologne at St Christopher’s Cathedral.
Review
"Entering Martyn Thompson’s exhibition, History, the paraphernalia of my interior life, at Canberra Glassworks feels like stepping into an impeccably styled home," writes reviewer SOPHIA HALLOWAY.
"This Diana story contained the lot, from birth to a sidestepping of Diana’s death that managed to implicate the Queen." ALANNA MACLEAN reviews Diana The Untold and Untrue Story.
"Jonas Balsaitis use of information imaging systems in his art is one of a kind," writes arts reviewer ROB KENNEDY, who found himself at a loss to best describe these paintings. But he had a go.
Reviewer GRAHAM McDONALD enjoys the Piano Four Handed concert by Arnan Wiesel and Aaron Chew, but felt it when too long.
MICHAEL WILSON reviews the Canberra Bach Ensemble's performance of four difficult JS Bach cantatas, five years in the making.
"This wasn’t a pleasant experience – but perhaps that is the mark of a good psychological thriller... Baby Jane was gripping, unsettling, and a strong production from cast and crew," writes reviewer ARNE SJOSTEDT.
LEN POWER reviews the Snow Concert Hall performance of Latvian sisters Kristīne and Margarita Balanas.
ANNA CREER reviews two new Nordic Noir thrillers.
Reviewer ROB KENNEDY writes of Al Munro's "exploration into the complex interplay of color, pattern and spatial relationships within the realm of painting".
"This is an exhibition that appeals on many levels giving visitors a dramatic immersive experience through digital technology. It also caters to those who wish to know more about Pompeii and its history," says reviewer KERRY-ANNE COUSINS.
BRIAN ROPE reviews photographer Juno Gemes' book Until Justice Comes.
