BILL STEPHENS reviews a performance of “A Midsummer Night’s Dream” by Queensland Ballet.
Review
"Even at 100, the Archibald Prize demonstrates that the power of portraiture still has us fascinated," writes reviewer ROB KENNEDY of the National Portrait Gallery's “Archie 100: A Century of the Archibald Prize” exhibition.
"The unity achieved through their distinctive voices makes them not just a local, but a national treasure." ROB KENNEDY reviews a performance of the Luminescence Chamber Singers at All Saint's, Ainslie.
"Lucky audience members at this first concert in Australia of Spanish baritone Luis Llaneza were treated to an extraordinary performance by this superb singer," writes reviewer LEN POWER.
"Sekuless goes for a female and non-binary cast of some strength and numbers and the pace never slackens. And nobody waits around for a scene change. The flow, the teamwork and the energy is constant."
Book reviewer ANNA CREER writes of two thrillers that take old characters into new adventures.
LEN POWER reviews “The Mysterious Forest”, performed by Susannah Lawergren, soprano, and Bernadette Harvey, piano, at the Wesley Music Centre.
GRAHAM McDONALD reviews the Limestone Consort's performance of Antonio Vivaldi’s cantata "Nisi Dominus".
"This consistently well-sung production, with its attractive costumes, settings, large chorus and orchestra, succeeds in providing a delightfully entertaining evening of musical theatre," says reviewer BILL STEPHENS.
"In this show, it is the sub-plot of a drunk uncle, sassy servant, witless knight, pompous steward and Feste the fool, that offers pathos and entertainment value to the audience." SIMONE PENKETHMAN reviews "Twelfth Night".
In her first review for "CityNews", distinguished dance critic, writer and researcher Dr MICHELLE POTTER senses change in the air at QL2.
"The show was an exciting and successful mix of musical styles with a cool Greekness at the heart of it." Reviewer GRAHAM McDONALD's been to see Greek duo Kardinelia play.
