THE human body, says Queanbeyan artist Tanya Myshkin, has been the central subject of Western art from the Ancient Greeks and Romans until modern times, and “an almost infinite variation in art could be achieved by way of an examination of the body”.
With the rise of abstract art in the twentieth century, however, she believes that the body has tended to lose its central position, so that classical nudes are made to appear cold and austere.
To the Greeks and Romans, by contrast, they expressed the human passions in all their variety: tension, the struggle for power, anger, frustration, despair and weariness of life.
Myshkin’s exhibition of charcoal and pencil drawings portraying the naked body and the human soul is her way of demonstrating that the human form can still express these passions.
Quoting Russian poet Anna Akhmatova, Myskin’s exhibition asks:
“Where is the soul?
The soul is what you see
for looking long
at the bodies, more expressive because they are naked
The bodies are repeated
like poetry
in order to be remembered
they are repeated
over and over again
committed to memory
like a poem,
like a series
of Roman numerals,
like a requiem
of the human soul…”
“Corpus et Anima: The naked body and the human soul”, by Tanya Myshkin at ANCA Gallery, 1 Rosevear Place, Dickson, 12-5pm Wednesday-Sunday until June 17.
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