MICHAEL WILSON reviews the Canberra Bach Ensemble's performance of four difficult JS Bach cantatas, five years in the making.
Review
"This wasn’t a pleasant experience – but perhaps that is the mark of a good psychological thriller... Baby Jane was gripping, unsettling, and a strong production from cast and crew," writes reviewer ARNE SJOSTEDT.
LEN POWER reviews the Snow Concert Hall performance of Latvian sisters Kristīne and Margarita Balanas.
ANNA CREER reviews two new Nordic Noir thrillers.
Reviewer ROB KENNEDY writes of Al Munro's "exploration into the complex interplay of color, pattern and spatial relationships within the realm of painting".
"This is an exhibition that appeals on many levels giving visitors a dramatic immersive experience through digital technology. It also caters to those who wish to know more about Pompeii and its history," says reviewer KERRY-ANNE COUSINS.
BRIAN ROPE reviews photographer Juno Gemes' book Until Justice Comes.
"Stephanie Jones well known to the Canberra classical guitar community and they turned out in a big way for this concert. Albert Hall was full, including the balcony," writes reviewer GRAHAM McDONALD.
SAM WILSON reviews Folk Melodies, the latest concert performance in the Canberra Symphony Orchestra Chamber Classics Series.
LEN POWER reviews Songs of Eve, a concert performed by soprano Jane Sheldon and pianist Jack Symonds.
"Even many of Fred Smith’s devoted fans would not have seen so much of his softer side before." MICHAEL WILSON reviews Fred Smith's concert, Domestic.
"The musical is given a playful, cartoon-like production, by first-time Queanbeyan Players director Tijana Kovac." BILL STEPHENS reviews Bubble Boy.
