Samuel Chapman ‘flips the lens’ and reaches finals
Canberran Samuel Chapman has reached the finals of the Down Syndrome Association’s My Perspective photography and short film competition.
Photography
CON BOEKEL reviews The Spectral Lens, which is exhibiting at PhotoAccess until October 12.
CON BOEKEL reviews three works on display in current exhibitions at PhotoAccess.
BRIAN ROPE reviews the work of photographer Eva van Gorsel, part of the Emotional Landscapes I exhibition at ANCA Gallery.
Photography
Cracking portrait prize entries get big tick
CON BOEKEL reviews the 2024 National Photographic Portrait Prize exhibition at the National Portrait Gallery.
Photography
Different artists sharing something significant
BRIAN ROPE reviews two new exhibitions at Photo Access that, he says, share something significant.
Photography
Rope’s paradox: not answers that matter but the questions
CON BOEKEL reviews photographic doyen Brian Rope's first solo exhibition.
An unusual self portrait on washcloth has won the 2024 Darling Portrait Prize Art Handlers’ award of $2000 at the National Portrait Gallery, reports HELEN MUSA.
"As a reviewer, I approach group or competition exhibitions with a mixture of hope and dread." CON BOEKEL reviews the Canberra Contemporary Photographic Prize 2024 exhibition.
BRIAN ROPE reviews All My Memories Are Mistranslations, an exhibition by Bornean-Australian artist Omar Musa.
CON BOEKEL reviews the Canberra Nature Map photography competition at the CSIRO Discovery Centre.
CON BOEKEL reviews a photographic exhibition, Navigating Histories, by Phuong Le and Chris Siu.
CON BOEKEL reviews two new photographic exhibitions at At M16 Artspace.
CON BOEKEL reviews a photographic exhibition by Judith Martinez Estrada that focuses on migration, memory and identity.
"Everything in this splendid exhibition encourages reflection about human impact on the environment," writes reviewer BRIAN ROPE of Hilary Wardhaugh's photo exhibition.
CON BOEKEL reviews artist George Pople's photographic "guerrilla memorial" exhibition to the Afghanistan War.
"Focus is an excellent lens into the work of the government photographers who bequeathed us a store of priceless and irreplaceable imagery and, withal, some wonderful creativity," writes photography reviewer CON BOEKEL.
"Words cannot convey the sheer pleasure of holding this book and going back and forth through it, turning the pages,..." writes photography reviewer CON BOEKEL.
CON BOEKEL reviews a "smorgasbord" exhibition at PhotoAccess.
