When Nora Helmer exits the stage in Henrik Ibsen’s famous drama “A Doll's House” the door slam is one of the loudest in history. But there's more to come, says arts editor HELEN MUSA.
Nothing could be better calculated to draw the crowds into the National Gallery than a major exhibition of Claude Monet’s art, says arts editor HELEN MUSA. And here one comes.
"The next concert in the Canberra Symphony Orchestra’s Llewellyn series looks like being a "Who’s Who" of musical talent, but there’s an intriguing local twist, too," writes arts editor HELEN MUSA.
Prizewinning poet and guru of multi-lingual spoken word poetry in Canberra, Jacqui Malins is holding weekly workshops in both in Woden and Tuggeranong through June.
Musica Viva Australia has today (June 3) announced that incoming artistic director Paul Kildea will assume artistic leadership of the organisation in mid-2019 following the 20-year tenure of Carl Vine, which concludes at the end of this year.
It's not every day that a smoking ceremony set off the fire alarm, but so it was today (May 31) at Gorman Arts Centre in Braddon when Ngunnawal Elder, Tina Brown, set about welcoming New Zealand exchange artist Ana Iti, to the ACT.
“I’ve got 47 people on stage with banners and ribbons," said the director of Queanbeyan Players’ coming production of “Hello Dolly!”, Michael Moore, as he strode onto the stage at a media call this morning.
The Australian National Eisteddfod, one of the largest and longest running performing arts ventures in town, has a mission to promote participation in the performing arts, says bands and orchestras convener Simon Best.