News location:

Canberra Today 16°/21° | Monday, March 4, 2024 | Digital Edition | Crossword & Sudoku

An inventive jazz narrative to remember

Liam Budge in the foreground. Photo: Peter Hislop

Music / “Flight Memory”, by Sandra France and Alana Valentine, The Street Theatre, November 14. Reviewed by ROB KENNEDY.

COMMISSIONED by The Street Theatre, this narrative song cycle about Australian Dr David Warren, inventor of the black box flight recorder, pairs ARIA-nominated composer Sandra France with Helpmann award-winning lyricist and playwright Alana Valentine.

“Flight Memory” is a jazz song suite that fuses genres, styles and structural forms. The cast includes singers Liam Budge, Leisa Keen and Michelle Nicolle. They were supported by a six-piece ensemble of some of Canberra’s finest musicians: Brendan Clarke, Tom Fell, Gary France, Sandra France, Jess Green and Ben Marston.

It’s rare to hear a show of such ingenious music. The strong performances from the cast and musicians created something new and enlightening about what could be considered just a piece of technology. But it works, it worked on many levels.

L-R: Liam Budge, Michelle Nicolle and Leisa Keen. Photo: Peter Hislop

“Flight Memory” is directed by The Street’s artistic director Caroline Stacey. The minimal set, which looked a bit like the pointy end of a plane, was somewhat of a contrast to the highly active and entertaining music and singing. The constantly changing and effective lighting by Niklas Pajanti added so much to the story within the show. It’s quite amazing to see just how much can be done on stage with so little in the way of props and changing stage sets, but it worked and added character to the story.

The stage set never changed, but it helped to frame the singers in different positions. This made the songs more effective and added contrast and weight to the action and the story, while the music went through a cavalcade of sounds.

The music crossed several styles but at its heart, a constant jazz beat gelled the varieties together. “Flight Memory” tells a sonic story, combined with a real-life story and the struggle to get Australian inventions recognised in Australia; this was a strong component.

Photo: Peter Hislop

Every song stood on its own. The highly inventive and very well-composed music was backed up with excellent performances and singing from the three leads, especially the voices of Leisa Keen and Michelle Nicolle. They combined jazz and musical theatre styles while supporting each other through their strong, and at times comical and sad, portrayal of the life of David Warren.

The singers played out conversations between air traffic control operators and pilots. They acted out real-life scenarios that happen while onboard airplanes. Recorded aircraft sounds added to the effect of an authentic flying experience.

“Flight Memory” is a bold and dynamic work. The original music came across almost as a new genre, such was the inventiveness of all the compositions. Perhaps it could be called Progressive Jazz. It did offer a similar experience to what the amazing Prog Rock genre presented, made famous in the 1970s by the likes of Pink Floyd and Emerson, Lake and Palmer.

The production values, music, singing, concept, and performance is something the team that brought it all together can be very proud of. It’s worth seeing again.

Who can be trusted?

In a world of spin and confusion, there’s never been a more important time to support independent journalism in Canberra.

If you trust our work online and want to enforce the power of independent voices, I invite you to make a small contribution.

Every dollar of support is invested back into our journalism to help keep strong and free.

Become a supporter

Thank you,

Ian Meikle, editor



Share this

Leave a Reply

Related Posts

Follow us on Instagram @canberracitynews