Music / “The Little Red Fox” for piano trio, by Sally Greenaway. Live music stream, October 22. Reviewed by TONY MAGEE.
THIS delightful short piece scored for piano, flute and cello is one of a set of three, commissioned by a Canberra couple, celebrating their 40th wedding anniversary.
Canberra composer Sally Greenaway has beautifully captured the essence of what surely is a young fox, darting about, very playful, cheeky, inquisitive, getting up to mischief and learning heaps every day as it becomes more and more familiar with the countryside and the other animals who live there.
One is instantly transported to a “Wind In the Willows” style of imagery, charming in its child-like innocence, but equally appealing to an adult audience, as the best prose and programmatic music can be.
After a gentle musical introduction, setting the scene, Samuel Payne on cello played a delightful melodic opening in the bass register, then repeated it in the treble, followed by amazing arpeggios, over which David Shaw on flute soared with almost bird-like qualities, the arpeggios then being taken over by Edward Neeman at the piano.
Flute and cello then traded musical phrases, supported by a solid bass foundation from the cello.
The piano followed up with supporting fifths with flute dancing above gleefully and the cello responding with tremolo in falling semitones.
The Little Red Fox had a wonderful time scurrying about and enjoying the day to the max.
All three musicians were perfectly in tune, with beautiful tone production and played with the youthful joy and curiosity required to capture the style of the piece.
The event was beautifully produced for the streaming audience, with excellent production values, including a countdown with musical accompaniment, a brief but very apt introduction by the composer, exquisite sound quality, excellent balance between the three instruments and interesting camera angles and vision.
I was able to run a line-out from my computer through a really nice Luxman amplifier and a pair of KEF 104aB reference monitor speakers. It sounded great.
During her spoken introduction, Greenaway hinted that we might just catch a glimpse of said fox and sure enough, right at the end and you’d have missed it if you blinked, a little red fox did indeed dart across the screen, disappearing into the musical landscape, looking very pleased indeed.
“The Little Red Fox” is available on Greenaway’s forthcoming CD “Delights and Dances” or for purchase via unlimited streaming from sallygreenaway.bandcamp.com
Who can be trusted?
In a world of spin and confusion, there’s never been a more important time to support independent journalism in Canberra.
If you trust our work online and want to enforce the power of independent voices, I invite you to make a small contribution.
Every dollar of support is invested back into our journalism to help keep citynews.com.au strong and free.
Ian Meikle, editor