ROB KENNEDY reviews Birth & Rebirth, a concert performed by James Monro, Sarah Zhu and Paul Nicolaou.
Review
GRAHAM McDONALD reviews Prayers and Lamentations, a performance by The Oriana Chorale.
"Heather Mitchell’s performance as the legendary US lawyer and judge Ruth Bader Ginsburg is poetry in motion." SIMONE PENKETHMAN reviews RGB: Of Many, One.
ALANNA MACLEAN reviews The Shoe-Horn Sonata, at The Mill Theatre, Fyshwick.
BILL STEPHENS reviews the musical Billy Elliot at The Q. He says it packs a punch physically and emotionally.
"The ensemble were magnificent. They were wonderfully supportive of the soloists but had an energy, colour, intensity and virtuosity of their own that had the audience mesmerised." ALPHA GREGORY reviews the Australian Haydn Ensemble.
"Karen Vickery’s translation of Anton Chekhov’s The Seagull makes for a highly relatable and accessible text heightened by strong and, at times, very powerful performances from the cast," writes reviewer JOE WOODWARD.
LEN POWER reviews Romantic Masters, a performance by tenor Andrew Goodwin and pianist Roland Peelman.
LEN POWER reviews Heroic Masterworks performed by pianist Edward Neeman.
ROB KENNEDY reviews Son et Lumière by Musica da Camera at the Australian Centre for Christianity and Culture.
KERRY-ANNE COUSINS reviews South Facing, an exhibition by Holly Grace and Julie Bradley at Craft + Design Canberra.
MEREDITH HINCHLIFFE reviews a large exhibition of ceramics by Moraig McKenna at the Canberra Potters Gallery.
