"Listening to a pianist of Edward Neeman's quality perform these intricate and profound works and for almost all the concert without sheet music is an extraordinary experience," writes reviewer ROB KENNEDY.
Review
CON BOEKEL reviews three photographic exhibitions offering "so much to absorb, consider and appreciate".
MEREDITH HINCHLIFFE reviews the craft exhibition "Exuberance", curated by Sharon Peoples and Carol Cooke.
Reviewer MEREDITH HINCHLIFFE finds Eliza-Jane Gilchrist's work "a thought-provoking and beautifully made exhibition".
"It's been a long time since I've been to a record launch, but this one was a bit special, combining a long-gestated album from local musician Konrad Lenz with his 50th birthday party," writes reviewer GRAHAM McDONALD.
“Sweeney Todd: The Demon Barber of Fleet Street” is acknowledged as one of Sondheim’s most brilliant achievements. Reviewer BILL STEPHENS says this production serves it well.
The mammoth effort from the creative team and the cast of "Unhinged" deserves to be seen by a wider audience than the inner-sanctum of family and friends, writes dance reviewer SAMARA PURNELL.
Lush, lavish and a little too long is how reviewer SIMONE PENKETHMAN see Canberra Rep's new production of "Amadeus".
Challenged to listen, reviewer TONY MAGEE enjoyed the abstract improvisations of virtuoso violinist Rupert Guenther.
ANNA CREER reviews a couple of crime novels with wildly different approaches to a common theme written by two Australian women authors, one established the other on debut.
“Florescence", or full-flowering, was an apt theme for this dazzling concert of four parts, says reviewer LEN POWER.
In the first of cellist David Pereira's six 70th birthday recitals, he brought together pianist Edward Neeman and composer-vocalist Lillian Frømyhr to perform classical, contemporary and jazz works. ROB KENNEDY is the reviewer.
