BRIAN ROPE reviews photographer Juno Gemes' book Until Justice Comes.
Review
"Stephanie Jones well known to the Canberra classical guitar community and they turned out in a big way for this concert. Albert Hall was full, including the balcony," writes reviewer GRAHAM McDONALD.
SAM WILSON reviews Folk Melodies, the latest concert performance in the Canberra Symphony Orchestra Chamber Classics Series.
LEN POWER reviews Songs of Eve, a concert performed by soprano Jane Sheldon and pianist Jack Symonds.
"Even many of Fred Smith’s devoted fans would not have seen so much of his softer side before." MICHAEL WILSON reviews Fred Smith's concert, Domestic.
"The musical is given a playful, cartoon-like production, by first-time Queanbeyan Players director Tijana Kovac." BILL STEPHENS reviews Bubble Boy.
"Performed on the grass, the actors at once had to be larger than life and capable of using their physicality and very clear diction to advance the story." JOE WOODWARD reviews Macbeth at The Q.
The writers of Titanique have played fast and loose with facts for this cleverly conceived concoction that tells the probably untrue story of what really happened on the Titanic before it hit the iceberg. BILL STEPHENS reviews Titanique.
CON BOEKEL reviews the work of Cailyn Forrest in VIEW2025, from which PhotoAccess launches its exhibition year.
"I don’t think I’ve ever sat amongst an audience so spellbound and focused, nor left a concert hall with such a profound feeling of relaxation." SARAH BYRNE reviews Musica Viva's The Cage Project.
LEN POWER reviews Salut! Baroque's first concert for this, its 30th year.
MEREDITH HINCHLIFFE reviews Endless Horizons: The Art of Hiroe Swen at the Canberra Potters Gallery.
