Seventy years on, this ‘Fair Lady’ still dazzles
Julie Andrews' recreation of the original My Fair Lady remains as gasp-inducing as ever, with Claire Lyon a bewitching Eliza and its celebrated designs still drawing applause, reviews BILL STEPHENS.
Reviews
Dance Makers Collective joined forces with three Canberra dance groups for All in, but the strongest connection came when almost the entire audience joined the dancing, reviews MICHELLE POTTER.
LEN POWER reviews the Grevillea Quartet celebrating eight years together with an evening of vibrant Spanish dances, sublime Debussy and an irresistible urge to sway along.
MICHAEL WILSON reviews bass-baritone Jeremy Kleeman and pianist-composer Jack Symonds tackling Michelangelo's tortured poetry in a demanding recital of rare intensity and beauty.
Reviews
Four Canberra talents in perfect harmony
Cellist David Pereira, violinist Chris Latham, harpist Alice Giles and pianist Arnan Wiesel proved a special combination in a program of chamber music delights, reviews DAVID WHITBREAD.
Reviews
Did the paintings melt into the music or the other way around?
"This concert was a breath of fresh air heralding in this spring season. The program included floral and nature-inspired baroque works by composers from Germany, Italy, and France," writes reviewer ROB KENNEDY.
Reviews
Inventive, busy, funny Pride and Prejudice
"The set may be a grand staircase and an even grander bookcase but the story of the Bennet sisters is being told by the female lower classes who scrub the floors and clean the loos," says reviewer ALANNA MACLEAN.
Simon Tedeschi astounded his audience with a masterclass in the piano... which is what you get when you ask your audience on arrival to nominate what they’d like to hear, says reviewer DAVID WHITBREAD.
From Elsa's show-stopping transformation to a scene-stealing sauna, Free-Rain Theatre Company delivers Frozen on an impressive scale, reviews BILL STEPHENS.
ANNA CREER reviews two new novels of historical fiction, one set in present and medieval times, the other in World War I.
ALANNA MACLEAN reviews the CSO strings under Jen Winley giving Bernard Herrmann's Psycho score the drive and menace it needs as Hitchcock's horror unfolds on screen.
Jonathan Biggins goes well beyond political satire to inhabit Paul Keating in a performance of humour, poignancy and exceptional acting, reviews JOE WOODWARD.
KERRY-ANNE COUSINS reviews Al Munro, Wendy Teakel and emerging artist Claire Fletcher, whose contrasting works range from playful architectural forms to landscapes and abstract space.
Old astronomical glass plates find new life as Patsy Payne turns scientific records of the night sky into art at Megalo, reviews KERRY-ANNE COUSINS.
SARAH BYRNE reviews father-and-daughter Arnan and Moran Wiesel combining piano and poetry in Elemental, a concert exploring the forces of the natural world.
Celebrating Steve Reich’s 90th birthday, Ensemble Offspring performed four of their Reich favourites in this concert dedicated to his music, reviews ROB KENNEDY.
LEN POWER reviews Echoes of Humanity, a charity concert by the National Capital Orchestra with piano soloist Lucas Krupinski.
"Striking similarities not just to rock formations, but to Aboriginal art exude from each work. Some take on the form of a bark canvas, with colours to match." ROB KENNEDY reviews an exhibition by Christiane Keller.
"Luminescence continues to bring a singular virtuosity to their performances, and are champions of genuinely interesting and sometimes challenging new work," writes reviewer SARAH BYRNE.
