THIS year’s star subject of the annual Bald Archies is undoubtedly Tasmanian parliamentarian Jacqui Lambie.

It’s the exhibition’s 22nd year, but there’s no sign of its founder, former theatrical entrepreneur Peter Batey, giving up. Nor, he tells “CityNews”, is the chief arbiter of the Archies, his sulphur-crested cockatoo Maude, losing any of her judgmental acuity.
Batey assures us that Maude doesn’t take alcohol, is a vegetarian and is acutely aware of what is happening in the world. “She will outlast me,” he predicts.
“There are always one or two shockers, just as with the Archibald,” says Batey, noting that the next in popularity is Molly Meldrum, seen in Max Gerreyn’s adoring portrait of Molly during a moment of success.
As in recent years, the Bald Archy Exhibition will launch at Watson Arts Centre in Canberra, with a grand tour planned around country towns such as Swanpool, Gundagai, Deniliquin, Coffs Harbour, Brewarrina, Corowa and Temora.

Max Gerreyn’s entry “Just Molly”.
While Batey has always hated the idea that the Bald Archies could be subjected to serious art criticism, it irks him that national institutions like the National Portrait Gallery and at least one major regional art gallery continue to ignore the award.
It is an acquisitive prize, so he has a collection of winning portraits going right back to the first year, 1994, when the Bald Archy award was launched as part of the Coolac Festival of Fun.
Like it or loathe it, 81-year-old Batey says the exhibition and award have served as a social barometer for a long time and deserve a resting place in one of the cultural institutions. After this year’s grand tour of the Archies is finished, he intends devoting time to ensuring that.
The Bald Archy Exhibition, Watson Arts Centre, Aspinall Street, Watson, every day, February 6-March 8, entry $5.

Max Gerreyn’s entry “Just Molly”.
Bill Beruldsen’s “Saint James”, a painting of controversial Essendon football coach James Hird.
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