THE Australian National Eisteddfod Choirs competition wind ups tonight (August 19) at Llewellyn Hall after two days of choral singing during which adjudicator Sharon Batterham declared herself thrilled by “both the high level of performance […]
THE story of a young Afganistani refugee, Rohallah, who was rescued by a Perth couple and brought to Australia, where he was educated, and who now works as an Uber driver while completing his university studies, provided the inspiration for this multi-discipline work combining elements of hip-hop and Butoh.
Rohallah himself was introduced before the performance and charmed the audience by quietly relating his ultimate journey to Canberra.
Without a hint of malice or blame, he spoke matter-of-factly about his childhood and his life as a shepherd, and how he was persecuted and forced to flee warring factions who killed members of his family.
He told how he met an Australian couple, Margaret and John, who befriended him, sponsored him to Australia, fed, clothed and educated him. It was an affecting entree into the performance his experiences had inspired.
Performed by members of Fresh Funk and Little Dove Theatre, “Rohallah” is an abstract interpretation of the major events in Rohallah’s story. It begins with the cast filing slowly on to the stage in half-light, as Rohallah’s pre-recorded voice outlines the main events of his story. The lights come up to reveal a mother sobbing over the body of her dead child. A girl in a red dress gyrates frantically around her while a line of serious-faced performers advance over her towards the audience. One by one these performers break away and run around the auditorium, suggesting children at play.
Similar such episodes continue throughout the 40-minute performance. Some are striking, others puzzling, their intention not always obvious, with each member of the audience left to decide their individual interpretations. Costuming is patchy with the inclusion of sequined evening dresses and glitter eye make-up questionable in the context. Two performers stand out from the ensemble, Noah Gorrell as the young Rohallah, and Nick Delatovic as the adult Rohallah.
Although neither of the forms of hip hop or butoh would seem obvious choices of expression for narrative storytelling, Chenoeh Miller and Caroline Wall have embraced both disciplines to create a unique and thought-provoking response to the plight of refugees.