Review / Insight into the diversity of Canberra dancing

Share Canberra's trusted news:
“Escalate 111”. Photo by Lorna Sim

THIS is the third season of performances of works resulting from Ausdance ACT’s mentoring program for young dance makers, “Escalate”, curated by the current “CityNews” Artist of the Year, Liz Lea.

Again the eight dance works and two films that formed the program displayed an admirable variety in approach by the choreographers and resulted in an interesting, well-danced program, supported with efficient stage management and evocative lighting design.

Ena Haskic’s work, “The Moment”, proved an effective opening for the program. Danced by Haskic and Sophie Forde, costumed identically including their hairstyles, who mirrored each other’s movements to evoke a sense of the past and present.

Exquisitely costumed, Maheyrin Chowdhury choreographed and performed a solo in traditional Bharatanatyam Indian classical style, entitled “Woman of Beauteous Spring”, which displayed her finely honed technique to riveting effect.

Clare Healey incorporated interesting film, well-planned lighting design and the music of the Fall Creek Boys Choir to create an impressive solo, which she danced herself, entitled “Finding Hope”. Identically costumed in long black dresses with bright red underskirts, Tara Coughlan and Sinead Shorka performed a lovely duo entitled, “Gemini”, inspired by the Gemini constellations and the myth of twin spirit, which they choreographed together with Liz Lea and will perform for the World Dance Alliance in Adelaide in July.

Choreographed by Hikma Aroub and Leena Wall and danced by Aroub, Kat Brown and Holly Waldron, “Moments in Time” was a well-constructed trio, danced against a filmed background, gently exploring the fragility of friendship. Ashlen Claire Harkness also utilised film of Nisha Joseph narrating her anxieties as a striking background for her improvisational work, “Core”, performed by Arabella Frahn-Starke, Isabelle Beauverd and Oonagh Slater.

Clever lighting represented barriers for Evan Liversidge, Chris Wade and Harry Wade in Claire Liversidge’s work, “Contained” which also incorporated interesting shapes and effective unison work effectively performed by the dancers. An energetic biographical hip hop solo “Pass the Boundaries” created and performed by Carol Blazeski was the final work in a program which provided a fascinating insight into the diversity and quality of dance making in Canberra.

 

Who Can You Trust?

In a world beleaguered by spin and confused messages, there's never been more need for diverse, trustworthy, independent journalism in Canberra.

Who can you trust? Well, for more than 25 years, "CityNews" has proudly been an independent, free, family-owned news magazine, serving the national capital with quality, integrity and authority. Through our weekly magazine and daily through our digital platforms, we constantly and reliably deliver high-quality and diverse opinion, news, arts, socials and lifestyle columns.

If you trust our work online and believe in the power of independent voices, I encourage you to make a small contribution.

Every dollar of support will be invested back into our journalism so we can continue to provide a valuably different view of what's happening around you and keep citynews.com.au free.

Click here to make your donation and you will be supporting the future of journalism and media diversity in the ACT.

Thank you,

Ian Meikle, editor

Previous articleCIMF review / Brave and breathtaking march of music
Next articleCIMF review / Outstanding playing of unusual instruments

Leave a Reply