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Scrooge triumphs in a masterly ‘Christmas Carol’

As the miserly Ebenezer Scrooge, Eugene Gilfedder gives a performance of Shakespearean proportions. Photo: David Fell

Theatre / “A Christmas Carol”, directed by Michael Futcher. At Canberra Theatre until December 24. Reviewed by BILL STEPHENS.

REGULAR visitors to the Canberra Theatre Centre, Queensland’s shake & stir Theatre Company’s forte is innovative re-imaginings of literary classics. Particularly memorable among them, “1984”, “Animal Farm”, “Dracula”, “ Jane Eyre” and “Wuthering Heights”.

This spectacular production of “A Christmas Carol” premiered in Brisbane in 2018, and since then has become something of an annual favourite with Brisbane audiences, having been seen by more than 100,000 people. Now having its first Canberra showing, it’s not difficult to see why.

Adapted by Nelle Lee and directed by Michael Futcher, this version of “A Christmas Carol” offers a particularly optimistic version of the Charles Dickens classic. 

Josh McIntosh has designed a towering architectural setting, which with the help of the cast, sweeps around the stage, constantly transforming into Christmas-card images of Victorian London, as it propels the storyline through the many scenes. 

Swirling fog, fluttering snowflakes, Christmas trees, holly wreaths, Christmas turkey, Christmas pudding and, of course, carol singers, are all there. Atmospheric projections and even holographic three-dimensional ghosts, dazzle the eyes, while the apparently huge cast engage the intellect enacting the familiar story of how the miserly Ebenezer Scrooge finally discovers the joy of Christmas. It comes as quite a shock at the end of the show, when the actors take their bow, to realise that there are only 10 of them.

Judy Hainsworth in “A Christmas Carol”.Photo: David Fell

As the miserly Ebenezer Scrooge, Eugene Gilfedder gives masterly a performance of Shakespearean proportions. At times funny, serious, terrified or imperious, he dashes up and down revolving staircases, dodges visions that disintegrate before his eyes, then finally and convincingly converts into a kindly and generous employer. 

Bryan Probets fascinates in a variety of roles including Scrooge’s creepy nemesis, Jacob Marley, while Will Carseldine, Judy Hainsworth, Nick James, Arnijka Larcombe-Weate, Nelle Lee, Nick Skubij and Lucas Stibbard play everybody else. 

Musician Tabea Sitte is a constant and effective presence throughout as she wanders through scenes providing live accompaniment for the carollers and haunting atmospheric background music elsewhere.

Although sound-balance issues at the opening performance meant that much of the dialogue was unintelligible, only a Grinch could leave the theatre without being enchanted by the ingenious performances and magical effects on display in this masterly production. 

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