"These musicians are exceptional... artists of professional standard, playing challenging music at an advanced level." SARAH BYRNE reviews the Australian Youth Orchestra's Voyage of Discovery concert.
Review
KERRY-ANNE COUSINS reviews John Brack x Noel McKenna: A face in the mirror, at the National Portrait Gallery.
Female writers are currently dominating the Australian crime fiction scene, with more women writing crime, psychological thrillers, and domestic noir than men, writes reviewer ANNA CREER.
MEREDITH HINCHLIFFE reviews end to end, an exhibition of the craft of Louis Grant, curated by Consuelo Cavaniglia.
"Canberra Choral Society’s Our Stories gave its audience an unusual collection of material and much to reflect upon," says reviewer ALANNA MACLEAN.
SAM WILSON reviews violinist Mia Stanton in concert with the National Capital Orchestra.
LEN POWER reviews Romance Sublime! a performance by soprano Lorina Gore and pianist Anthony Smith.
NICK HORN reviews The Devil’s Violin, a performance by the Australian Chamber Orchestra led by guest violinist Ilya Gringolts.
"This piano recital journeyed across five centuries of Spanish music, from transcriptions on Sephardim music to the fiery spirit of modern Spanish composers." ROB KENNEDY reviews a recital by pianist Marcela Fiorillo.
"You know you’re in for something a little out of the ordinary when you’re greeted at the concert venue by the original, giant and creepy AF doll from Squid Games," writes reviewer SARAH BYRNE.
"I’m really not sure what the point of Swan? was and I was relieved when the show finished. Other members of the audience clearly had a great night out," writes dance reviewer MICHELLE POTTER.
"With three violinists and a continuo section of three more players, this ensemble certainly made beautiful music together." LEN POWER reviews 3 On 3, a performance by Apeiron Baroque.
