Director Tony D’Aquino is lucky to be back in Australia in one piece – he’s just been on what’s called the "circuit of horror” as he prepares for the general release of his R-rated, Canberra-made feature, “The Furies”, writes art editor HELEN MUSA.
Chris Latham, the first musical artist in residence for the Australian War Memorial, can hardly suppress his excitement as he shows off his new publication, “The Flowers of The Great War”, writes arts editor HELEN MUSA.
A jazz song cycle inspired by the little-known inventor of the black box flight recorder is about to debut at The Street. Intrigued? Arts editor HELEN MUSA was...
An extraordinary pavilion constructed of paper rolls by staff and first year students at the University of Canberra, has temporarily transformed Civic Square.
Announcing the 2020 theme for the Canberra International Music Festival, “Giving Voice”, the artistic director Roland Peelman has declared himself determined to make the event “possibly our most adventurous yet".
Clever visual jokes and ham acting with so little connection with reality does not make for a satisfying evening at the opera, writes arts editor HELEN MUSA after watching “Il Viaggio a Reims” at the Sydney Opera House.