There are plenty of Daves in Dave Houston’s show, Still Here, but there is only one Dave, and he is using comedy, music and storytelling to explore his experience of living with depression, writes arts editor HELEN MUSA.
"Strong is the New Pretty clearly makes the point of the sacrifices, determination, multitasking and risk these women took and continue to take, aided by a group of men who shared their ambition," writes reviewer SAMARA PURNELL.
Canberra's drag, burlesque and cabaret communities will come together for an evening of glamour, spectacle and live performance when La Cage BLEU opens at Blue Eyes Bar & Lounge this weekend, writes arts editor HELEN MUSA.
"The set may be a grand staircase and an even grander bookcase but the story of the Bennet sisters is being told by the female lower classes who scrub the floors and clean the loos," says reviewer ALANNA MACLEAN.
Jonathan Biggins goes well beyond political satire to inhabit Paul Keating in a performance of humour, poignancy and exceptional acting, reviews JOE WOODWARD.
Australian lawyer-turned-playwright Suzie Miller has turned her attention to the unlikely subject of Australian Rules football, in particular the Australian Women's Football League, in a new play, Strong Is The New Pretty.
Hawker College is in the throes of staging its big annual show, Peter and the Starcatcher, a prequel to JM Barrie's Peter Pan, reports HELEN MUSA.
"Daisy Pulls It Off examines the life of a scholarship girl, bright and cheerful Daisy Meredith, who arrives at a posh girls’ school where she encounters snobbery and a degree of savagery," writes reviewer ALANNA MACLEAN.
Canberra REP is stepping back into the world of midnight feasts, secret codes, hockey finals and boarding-school adventures with Daisy Pulls It Off, Denise Deegan’s Olivier Award-winning comedy, opening this Friday.
LEN POWER reviews theatre company Bloomshed's take on George Orwell's Animal Farm, setting the story in rural Australia and giving the animals a voice that sounds "uncomfortably like the language of Australian labour politics".
A fire on Monday at the National Theatre in Braidwood has necessitated a change of venue for the coming show, 1966 And All That.
SAMARA PURNELL reviews the local reboot of Australian playwright Joanna Murray-Smith's "Bombshells" by director Jordan Best’s production.
Jonathan Biggins is back in his celebrated role as Paul Keating and, as he tells arts editor HELEN MUSA, audiences can't get enough of the 're-tweaked' second coming of The Gospel According to Paul.
Saplings is a "gentle youth theatre piece that probes the experiences of a group of young indigenous people struggling with an urban society that doesn’t seem to give them much", reviews ALANNA MACLEAN.
When actor Lainie Hart first read Joanna Murray-Smith's Bombshells around the dinner table at director Jordan Best's home, she found herself unexpectedly moved, reports HELEN MUSA.
The Australian Theatre for Young People is bringing its production of Saplings to The Q, Queanbeyan, a work which has been described as authentic, raw, brutal and deeply moving, reports HELEN MUSA.
GRACE CASSIDY reviews one of William Shakespeare's lesser-known works - The Winter's Tale, directed by Heidi Silberman and being performed at The Mill Theatre.
ALANNA MACLEAN reviews the nearly three hours long epic, The Jungle and the Sea. Directed by S Shakthidharan and Eamon Flack, the play offers a "deeply felt treatment" of the civil war in Sri Lanka.
Rachel Wagstaff and Duncan Abel's adaptation and Chris Baldock's direction of the psychological thriller 'The Girl On The Train' leaves the audience with "an uncomfortable feeling", reviews LEN POWER.
