CANBERRA theatre buffs gathered at Rep’s Theatre in Acton this week for “CATS Interrupted” an informal recognition of excellence by the CAT Awards as they emerge from covid and a period of dormancy.
The idea, CATS founder Coralie Wood, told us, was to make those people who had made a significant contribution to the theatre scene in the region over past two years, but in a very much scaled-down event accompanied by drinks and seasonal jollity.
The recipients of the “Cats Interrupted” 2020 -2021 awards are as follows:
- ANU MED REVUE for the originality and contemporary relevance of “Dr Wonka and the Whitecoat Factory”;
- “THE DROWSY CHAPERONE,” directed by Candy Burgess Bay Theatre Players, Batemans Bay;
- MATHEW BURGESS as the Man in Chair in “The Drowsy Chaperone” Bay Theatre Players;
- SIOBHAN McCULLOUGH for her solo dance in “High Kix” Bom Funk Dance Studio, Canberra;
- ANDRE LE as Michael Mell in “Be More Chill,” Budding Theatre, Canberra;
- MATTHEW JOHNSTON as Doody in “Grease,” Canberra Grammar School The Grease Band Directed by Lizzy Collier, Canberra Grammar School;
- “JERSEY BOYS” Directed by Jim McMullen, Musical direction by Caleb Campbell Canberra Philharmonic Society;
- JARED NEWALL as Frankie Valli in “Jersey Boys;”
- “ABSURD PERSON SINGULAR,” The ensemble cast Canberra Repertory Society;
- ANDREW KAY for multiple set designs for Canberra Repertory Society;
- JAMIE BOYD as Eugene Jerome in “Brighton Beach Memoirs,” Canberra Repertory Society;
- KAREN VICKERY for direction of “Brighton Beach Memoirs;”
- LIZ ST CLAIR LONG as Big Mama in “Cat On A Hot Tin Roof,” Canberra Repertory Society;
- TEIG SADHANA as Brick in “Cat On A Hot Tin Roof;”
- MAX GAMBALE as Henry in “Cosi,” Canberra Repertory Society
- “COSI,” directed by Sophie Benassi Canberra Repertory Society;
- PIPPIN CARROLL as Wyndham Brandon in “Rope,” Canberra Repertory Society;
- JOSH WISEMAN & RYAN STREET as Charles Granillo and Rupert Cadell in “Rope”;
- QUENTIN MITCHELL & NATHAN SCIBERRAS for set and lighting design in “Rope” and “What The Butler Saw,” Canberra Repertory Society;
- LIZ BRADLEY for direction of “What The Butler Saw”;
- “THE GRAPES OF WRATH” for its production values and the relationship between the cast and set Canberra Repertory Society;
- HARRY LEWIS as the MC in “Downtown – The Musical,” Chevalier College, Bowral;
- LORRAINE BENNETT for providing consistent high-quality training at the Classical Ballet Centre, Canberra;
- BONNIE NEATE & SUZI PIANI for choreography in “Unveiled,” Dance Central, Canberra;
- HELEN MCFARLANE as Tanya in “Mamma Mia!” Free-Rain Theatre Company, Canberra;
- LOUIZA BLOMFIELD as Donna Sheridan in “Mamma Mia!”;
- ALEXANDER UNIKOWSKI for musical direction of “Mamma Mia!”;
- “MOTHERHOOD THE MUSICAL,” The ensemble cast. Lieder Theatre, Goulburn;
- “LES MISERABLES,” for inspired restaging due to a Covid venue change Directed by Laura Turner and Jane McIntosh, Nowra;
- ANGLICAN COLLEGE, Lyn Townsend and team for costumes in “Wicked,” Parkes Musical & Dramatic Society;
- AARON KINGHAM as Dr Dillamond in “Wicked”;
- CHARLENE ZULKAPI as Jasmine in “Aladdin Jr,” Pied Piper Productions, Canberra;
- “TOO DARN HOT” in “Kiss Me, Kate,” Choreography by Lauren Chapman Queanbeyan Players;
- LOUISE GASPARI as Mother Abbess in “The Sound of Music,” Queanbeyan Players;
- LYDIA MILOSAVLJECIC as Maria in “The Sound of Music;”
- KIMMIE JONCESKI as Rizzo in “Grease,” SoPopera Productions, Wollongong;
- JAYDEN SIERRA as Frankie Valli in “Jersey Boys,” SoPopera Productions;
- PETER COPELAND for musical direction of “Jersey Boys,” SoPopera Productions, Wollongong;
- ROBYN WHITBY and team for costumes in “The Little Mermaid,” Spectrum Theatre Group, Merimbula;
- LEO MARRIS as the Beast in “Beauty And The Beast,” St Edmund’s College, Canberra;
- KARA MURPHY as Belle in “Beauty And The Beast,” St Edmund’s College, Canberra;
- JO DARBY as Pauline Salas in “Death And The Maiden,” Wagga Wagga School of Arts Inc;
- SOACT Idris Stanbury & Benjamin Martin for lighting design in “Interrobang!?” Warehouse Circus, Canberra;
COMMENDATIONS:
- The late BRIAN SUDDING for his huge contribution to theatre over 50 years particularly in set design in the Canberra Region;
- AUSTRALIAN DANCE & DRAMA COMPANY for inclusive casting of special needs performers and online rehearsals for “Aladdin Jr,” Moorebank;
- THE FOUR SEASONS Jared Newall, Dave Smith, Jonathon Rush, Zach Johnson and Luke Ferdinands, Darcy Kinsella, Angus Saunders, Steven O’Mara and Marcel Cole in “Jersey Boys,” Canberra Philharmonic Society;
- CANBERRA REPERTORY SOCIETY for continuing to mount and rehearse seasons and presenting seven shows despite audience limitations;
- KATE PRICE for a stellar career of directing and drama teaching at Chevalier College, Bowral;
- DREAMCOAT PRODUCTIONS for donating all profits from “Mamma Mia!” to Sapphire Coast Social Justice to help their work in bushfire relief in the local community;
- BEGA FANTASY STUDIOS for their inspired ad libbing and interaction with the audience in “The Trail To Oregon;”
- GUNGAHLIN COLLEGE THEATRE COMPANY for rehearsing online and opening their production of “Away” only one week after lockdown;
- LAUREN CHAPMAN as encouragement for choreography in “Kiss Me, Kate,” Queanbeyan Players;
- QUEANBEYAN PLAYERS for persisting through tow production postponements and triumphantly staging “The Sound Of Music”;
- SAMUEL GUMBRELL and team for videography to stream “The Sound Of Music,” Queanbeyan Players;
- JIMMY RIZK for stepping in on the morning of the matinee to learn the role of Sonny and also play Doody in “Grease,” SoPopera Productions, Wollongong;
- “THE LITTLE MERMAID,” directed and choreographed by Amber Little Spectrum Theatre Group, Merimbula;
- WAREHOUSE CIRCUS for rehearsing cast online and by phone while locked down in Sydney, Melbourne and Canberra and then presenting “Interrobang!?” in a new venue;
- THE PERFORMING ARTS COLLECTIVE for mounting productions of “Heathers” and “Moana Jr,” Nowra;
- JOE MCGRAIL-BATEUP for 20 years of voiceovers supporting the CAT Awards presentations.
Who can be trusted?
In a world of spin and confusion, there’s never been a more important time to support independent journalism in Canberra.
If you trust our work online and want to enforce the power of independent voices, I invite you to make a small contribution.
Every dollar of support is invested back into our journalism to help keep citynews.com.au strong and free.
Thank you,
Ian Meikle, editor
Leave a Reply